It has a shot at making off with enough of Smaug the dragon’s gold to crash the billion-dollar barrier. The sequel is following that model: 68% of its current gross has come from the foreign market. An Unexpected Journey ended at $1.017 billion, with 70% of its revenue earned abroad.
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Smaug still isn’t matching the domestic grosses of its predecessor, An Unexpected Journey - and by the way, years from now, will anyone remember the full titles of these movies? - but it’s made more than $600 million worldwide and is questing for more. ( MORE: Justin Bieber Takes a Box-Office Beating)Ĭhristmas hadn’t fallen on a Wednesday since 2002, when the winner was The Lord of the Rings: The Two Towers, another middle film in a Tolkien trilogy. And Justin Bieber knocked himself out - his concert doc Believe cadged a most skeptical $2 million over the weekend and $4.3 million for the five-day set.
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Grudge Match put Rocky Balboa (Sylvester Stallone) and Jake LaMotta (Robert De Niro) back in the boxing ring, but this was no title fight: the movie took in just $7.3 million for the weekend and $13.4 million for five days. The Keanu Reeves samurai epic 47 Ronin came up about 46 ronin short, practically falling on its sword by earning just $20.6 million in five days. Having ladled out the yuletide largesse, Santa was obliged to leave coal in a few stockings.
It now seems certain that 2013 will break last year’s domestic box-office record of $10.837 billion.
Over the five-day holiday, these three movies picked more than $100 million from the pockets of paying customers. The all-star Abscam dramedy American Hustle finished fourth for the weekend, just ahead of The Wolf of Wall Street, Martin Scorsese’s hyper-hyper portrait of a coke-stoked broker played by Leonardo DiCaprio. Anchorman 2: The Legend Continues secured third place for Ron Burgundy and his TV team. The Hobbit: The Desolation of Smaug narrowly defeated the Disney double-princess musical Frozen, $29.8 million to $28.8 million for the weekend and $49.3 million to $44.3 million for the five days of Christmas at North American theaters, according to preliminary studio estimates.īusiness was also bustling for three social satires set in the 1970s, ’80s and ’90s. This year, two family-film holdovers held off the edgy new comedies. In a Christmas week stocked with enticing new presents, which ones would moviegoers open first? None of them - they’d rather play with their favorite old toys.
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